Directed by Griffin’s Artistic Director, Declan Greene , Naturism is glib about global warming, gurus and Green gospels, a ...

T he counter-culture revolutionary musical from 1967, Hair, has returned to Melbourne under the stewardship of the Australian Shakespeare Company. It’s the first major musical presented by the company ...

As Eminem proposed all the way back in 2002 in Lose Yourself, “If you had one shot or one opportunity to seize everything you ever wanted in one moment, would you capture it or just let it slip?” The ...

Venue: Fairfax Studio | Arts Centre Melbourne, 100 St Kilda Road, Melbourne VIC Dates: 25 October – 29 November 2025 Tickets: $118 – $75 Bookings: mtc.com.au ...

Opportunity is a funny thing; the word brims with promise, but just like talent, intelligence or privilege, it’s what you make of it that defines whether it will have a positive or negative impact on ...

Before taking husband Joe’s surname of Bradshaw and raising kids through to independent adulthood, Shirley’s life in Liverpool was far more exciting. Now 42, there’s an unexpected chance for a break ...

Above – Brea Macey and Eleni Cassimatis. Photo – Phil Erbacher. Hamlet is not healthy, not developed enough to know about affection and love. Also he is a coward, a smouldering blonde brooder and ...

Above – Riley Warner and Chanella Macri. Cover – Jennifer Vuletic. Photos – Matt Byrne. The Director, Stephen Nicolazzo has come to this play with lived experience of having to understand the ...

Above – Will O'Mahony, Emily Rose Brennan, Deep Sroa and Ratidzo Mambo. Cover – Emily Rose Brennan and Deep Sroa. Photos – Daniel J Grant The title of this play takes its name from a “drinking game” ...

Jonathan Biggins has been delivering a version of Paul Keating for over twenty years, harking back to his days with the long running success of the Wharf Revue under the auspices of Sydney Theatre ...

At the forty minute mark, Lauren, the youngest character in Circle Mirror Transformation says something akin to “when are we going to start acting?” At the sixty minute mark, the same character asks ...

You're never too young for the ballet, as Storytime Ballet proves. The Australian Ballet’s offering for their smallest audiences (children 2–8 are the target market) shortens traditional ballets to a ...