There are plenty of ways to spice up a biopic, a genre of film often derided for being exasperatingly formulaic. You can play with multiple timelines, focus on a singular, specific moment in someone’s life—or,

Better Man started as a conversation between English pop royalty Robbie Williams and director Michael Gracey. Williams expressed feeling like a dancing monkey in stages of his performance career, which Gracey valued as a unique visual hook.

C heers to Robbie Williams. The English singer-songwriter who made the leap from boy band to tabloid target to record-breaking solo artist has delivered once again. Better Man is

It took a while, but in September Robbie Williams finally returned to Toronto. Before performing a short set at the Shangri-La Hotel during the Toronto International Film Festival, the last time the British pop superstar and former Take That member played the city was in 1999.